Showing on: Emmabel TV
Starring: Sonia Uche, Kunle Remi, Mubarak, Toro Adediran, Nobel Emmanuel, Tierney Olalere, among others
Runtime: 2 hours 4 minutes
I finished watching Love and Kasala, but putting my thoughts together was a challenge. I left it for hours, hoping for inspiration, yet none came. This often happens when switching from one genre to another—it’s hard to settle back into the rhythm.
The poster grabbed my attention—Sonia Uche in her classic comic pose alongside Kunle Remi—so I decided to give it a try. The film’s theme centers on love and comedy, but despite the humor, some performances and production choices fell flat.
Skodo’s acting, for instance, felt forced and unoriginal, seemingly attempting to mimic a character from a popular recent movie. His scenes didn’t land, and I found them unfunny.
In contrast, Wasiu was a highlight. His natural comedic timing, particularly in his exchanges with his boss Uche, felt authentic and carried a genuine energy that elevated the film’s humor.
However, the script left several loose ends unresolved. Basira’s storyline, for example, was confusing. While the film mentions she has three children, none of them appear on screen, nor is there any explanation of their whereabouts. Small cues, like a phone call or dialogue reference, could have filled this gap, but the absence made her character feel incomplete.
Technical oversights also hampered the viewing experience. At 35 minutes and 29 seconds, during Uche’s sobbing scene, the shadow of a mic was visible, breaking immersion and reflecting careless production. Such mistakes should be caught during editing, especially in 2025 filmmaking.
On the brighter side, the relationship between Sege and Uche felt genuine and engaging. Yet Basira’s portrayal was difficult to empathize with—her desperation was depicted without dignity, and her interactions with Skodo and Fresh Sege only highlighted this flaw.
Ultimately, Love and Kasala showed glimpses of charm but was overshadowed by weak performances, unexplained plot gaps, and sloppy editing.