Now streaming on Kava.Tv (subscription required)
Starring: Efe Irele, Mercy Aigbe, Timini Egbuson, Neo Akpofure, and more
Runtime: 1 hour 47 minutes
There are films that entertain, and then there are films that resonate on a deeper emotional level, leaving a lasting impression. My Mother is a Witch firmly belongs to the latter category. From start to finish, it is a masterclass in storytelling, acting, and cinematic execution, and without hesitation, I rate it a solid 10/10.
The title alone is bold and attention-grabbing. While my own mother isn’t a witch, the film makes the phrase hit in ways that feel intimate, personal, and reflective. It challenges perceptions, sparks conversation, and encourages audiences to confront emotions and memories they may have long suppressed. Efe Irele and her team have delivered a film that is not only entertaining but necessary—a film that deserves recognition and accolades for its courage and creativity.
At the heart of My Mother is a Witch lies a theme that resonates universally: childhood trauma and its long-term effects. Many of us experienced strict or heavy-handed parenting in various forms—condescending tones, harsh punishments, silent treatments, peer comparisons, limited choices, or even objects thrown in anger. For some, financial constraints meant essentials were scarce, while for others, rigid rules left little room for freedom or self-expression. These experiences shaped us, often leaving emotional scars and making it difficult to express affection or vulnerability with our parents.
The film approaches this sensitive subject with honesty and nuance. It explores how parents, even when acting with the best intentions, sometimes made decisions that caused unintended harm. Scenes portraying these dynamics are both relatable and thought-provoking, prompting reflection on our own childhoods and the ways they influenced who we became.
The storytelling is impeccable. The plot is tight, with no missing gaps or weak points, and every scene feels intentional. Several moments evoke a deep sense of nostalgia, making viewers pause and reflect. The Benin cultural core is one of the film’s strongest highlights, with traditional settings, village dynamics, and local customs presented authentically. Mummy Imo’s performance stands out as extraordinary—her portrayal is so realistic and compelling that, at times, it feels as though you are observing real life rather than fiction. Jessica and Dr. Ayo match her energy seamlessly, bringing depth, warmth, and credibility to their roles.
The casting is flawless. Every actor delivers a performance that elevates the film, and the attention to detail extends beyond acting. The locations, homes, community interactions, and Hanna’s setting are all meticulously crafted, enhancing the realism and immersion of the story. It’s evident that every scene was carefully planned, thoughtfully executed, and filmed with intention.
What makes My Mother is a Witch truly remarkable is its willingness to explore themes rarely seen in Nollywood. Childhood trauma, emotional growth, and parent-child relationships are subjects that are often overlooked or superficially addressed in mainstream films. By tackling these themes with sensitivity and authenticity, Efe Irele and her team have created a film that is not only entertaining but meaningful and necessary.
In conclusion, My Mother is a Witch is a triumph of storytelling, performance, and production. It is a film that entertains, resonates, and provokes thought in equal measure. Efe Irele deserves recognition for delivering a fresh, courageous, and profoundly impactful piece of cinema. For anyone seeking a Nollywood film that combines emotional depth, cultural richness, and flawless execution, this is an absolute must-watch.
