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Did ‘Madu’ Win the Emmy Because It Was Disney-Backed?

Eriki Joan UgunushebyEriki Joan Ugunushe
June 28, 2025
in Entertainment
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Did 'Madu' Win the Emmy Because It Was Disney-Backed?
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Did ‘Madu’ Win the Emmy Because It Was Disney-Backed? That question has been echoing through the Nigerian film and documentary community since the win. While many have applauded the powerful storytelling and moving visuals of the documentary, others are beginning to wonder whether it was Disney’s heavyweight status, not just the story itself, that tipped the Emmy in its favour.

Table of Contents

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  • The Disney Advantage and the Emmy Spotlight
  • “We Won an Emmy!!!” But Who Really Won?
  • Madu’s Heart vs the Hype Machine
  • Was It the Film or the Funding?
  • Did ‘Madu’ Win the Emmy Because It Was Disney-Backed?

The Disney Advantage and the Emmy Spotlight

The Emmy-winning documentary Madu, co-directed by Nigerian filmmaker Joel Kachi Benson and American filmmaker Matt Ogens, tells the inspiring story of Anthony Madu, an 11-year-old Nigerian ballet dancer whose viral barefoot dance video won global attention. The film’s core is undeniably strong, with its honest portrayal of struggle, talent, and global opportunity. But here comes the burning question: would it have even made the nomination list if Disney wasn’t behind it?

Did 'Madu' Win the Emmy Because It Was Disney-Backed?

Disney is no small player. The company’s global influence, media dominance, and reach into Emmy voting demographics are undeniable. So while Madu earned its spot on merit, many argue that the Disney brand ensured it didn’t get lost among lesser-known contenders like King Coal (POV) and Hollywood Black.

“We Won an Emmy!!!” But Who Really Won?

While Benson posted, “We won an Emmy!!! Times like this, I look back and I’m grateful for the journey… this win is for us,” it’s hard not to ask: was it a win for authentic African storytelling or for the influence of American media muscle? Co-director Matt Ogens admitted that he needed someone who “understood the culture” and brought Benson onboard. Noble, yes. But was it really about giving an African story a global platform or about global players using African stories to earn more acclaim?

Madu’s Heart vs the Hype Machine

Nobody is doubting Anthony Madu’s journey. From dancing in the rain in Lagos to a scholarship in the UK, his story is pure inspiration. But in a media environment where gatekeepers still decide which stories get spotlighted, Disney’s role is impossible to ignore. The Emmy win should be a win for documentaries from Africa, but it raises another question, how many powerful African stories have been sidelined simply because they didn’t come with Disney’s logo?

Was It the Film or the Funding?

Madu was shot beautifully, the message was clear, and the emotional journey was compelling. But so were many of the other nominated documentaries. What they lacked, however, was the giant arm of Disney pushing them forward. That’s the conversation people are avoiding. The truth is, Madu got access to platforms, festivals, global press, and marketing that others could only dream of. And in award seasons, access is power.

Did ‘Madu’ Win the Emmy Because It Was Disney-Backed?

It might sting, but the answer is: partly, yes. The documentary itself deserved recognition. But Disney’s involvement undeniably played a role in how far and wide the story travelled. This win may be a celebration of African dreams, but it’s also a sharp reminder that behind every global success story is often a global player pulling the strings. The industry needs to ask itself: are we rewarding stories, or the studios that tell them?

Tags: Disney-Backed?EmmyEntertainmentfederal characterMaduNewsNigeria
Eriki Joan Ugunushe

Eriki Joan Ugunushe

Eriki Joan Ugunushe is a dedicated news writer and an aspiring entertainment and media lawyer. Graduated from the University of Ibadan, she combines her legal acumen with a passion for writing to craft compelling news stories.Eriki's commitment to effective communication shines through her participation in the Jobberman soft skills training, where she honed her abilities to overcome communication barriers, embrace the email culture, and provide and receive constructive feedback. She has also nurtured her creativity skills, understanding how creativity fosters critical thinking—a valuable asset in both writing and law.

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