When it comes to Nigerian celebrity weddings, the fashion is never just an afterthought—it’s a definitive statement, a cultural showcase, and, oftentimes, even a friendly competition. Priscilla Ojo and Juma Jux’s white wedding, the semi-finale of their #JP2025 nuptial celebrations, was no exception.
While all eyes were understandably on the bride’s gown (a Veekee James masterpiece we’ll dissect later), the real fashion drama was seen in the pews and reception halls, where Nigeria’s style elite came dressed to impress, catch the eye of the eligible men at the high profile event, and, in some cases, quietly—or not so quietly—steal the show.
After the spectacle of the past few days, one thing is clear: this wasn’t just a wedding; it was a cultural milestone and a masterclass in Africa’s rich couture traditions. Right from the daring guests who reimagined the “wear white” rulebook to the A-listers who turned heads in bold colors, avant-garde silhouettes, and unexpected fabric pairings, the event proved once again that in Nigeria, wedding guest fashion is an art form. And like all great art forms, it led to heated debates and intense admiration.
Some of the Bridesmaids
But what made this particular guest-style display stand out? Was it the calculated risk (whose white dress strayed too close to that of the bride’s?), the quiet power moves (that guest who showed up in a tailored suit that almost rivalled the groom’s), or the unspoken rules that everyone seemed to follow—or deliberately break?
Because in a country where how you dress is how you communicate and are addressed, every ruffle, bead, fascinator and hemline at #JP2025’s white wedding wasn’t simply fashion—it was a fashion show on its own.
Let’s get into it, shall we?
Analysing the Fashion at #JP2025 White Wedding
Nigerian white weddings have an unspoken dress rule: “Elegance over excess, Subtlety over shock.” But as #JP2025 proved, rules are made to be reinterpreted—if not outright broken.
1) The “White-with-Caution” Trend: While many guests stuck to their various interpretations of ‘muted colours’, a fearless few opted for gowns in ivory, white and cream colours —colors traditionally reserved for the bride on her big day. The creative director of Lasosa, Pammy Sosa for example, wore an ivory dress decorated with white crystals and red and gold beads.
Pammy Sosa
Osas Ighodaro was another one of the several celebrities at the event who wore an ivory dress. For her own spin, she added a seashell crystal encrusted design to one of the bust and on the hip-to thigh hemline of the dress.
Osas Ighodaro
2) The Modesty Paradox: Sweetheart necklines and ball gowns dominated, but strategic cut-outs and sheer panels (like Medlin Boss’s semi-sheer dress) kept looks daring yet “church-appropriate.”
Medlin Boss
3. Structured Ball Gowns: At this event, guests weaponized structured ball gowns to make quiet-but-powerful statements. Social media influencers, Frances Theodore and Boluwatife utilised this, with the both of them wearing voluminous beige tulle skirts, proving that fairytale vibes aren’t only reserved for brides.
Frances Theodore
Boluwatife
4. Fabric & Embellishments: At #JP2025, texture told it’s own story as well:
- Velvet Suit: Actor and social media influencer Tobe Ugeh’s velvet black suit with red rose designs on the arm stood out for its “breath of fresh air” take. He did something no other male guest did with their classic black suit.
Tobe Ugeh
- The Shine Factor: Satin’s comeback was heavily seen at the #JP2025 event. From the bridesmaids outfits to the wedding guests, it seemed it was the designated material of the day.
Hilda Baci
5. Accessories as Power Moves
From elegant crystal hairpins, net veils to dramatic fascinators, the headdresses at this event rivalled the outfits themselves. Almost every guest embraced statement pieces, proving accessories can make—or break—a look.